I remember the impact that Naoya Hatakeyama's Blast series [link] had on me when I saw it at his retrospective at the San Francisco MoMA back in 2012 [link]. The wonder of seeing something that before the human eye could not really see, much like the ground breaking technology created by MIT Scientist Harold Edgerton and the stunning interactions he was able to capture [link]. There was some pretty wild weather down along the coast over the past week and wanted to see that same beauty in the stillness of the energy of the storm surge.
As a parting remark by a college principle, I was told that he would look forward to the day that he saw my work hanging in MoMA. As such, I wasn’t quite sure how to take the remark. Was it final and long overdue gatekeeper validation of my clear artistic genius, or a form of mild mocking, better placed in a high school playground of false hope? I'll leave it up for you to decide. If you do actually see any of this stuff at MoMA in the future, my apologies in advance.
Showing posts with label storm. Show all posts
Showing posts with label storm. Show all posts
Wednesday, 6 August 2014
Storm Surge series
Monday, 28 January 2013
Vanguard series
The Geelong foreshore taken during a pretty strong storm. It probably would have helped to have a 10 stop neutral density filter on me, although was lucky it was a cloudy day, using the a lens that stops down to f 1/32 and the fast moving water of the storm, kind of made up for it.
Labels:
abstract,
abstraction,
art,
fine art,
geelong,
graphic,
rock,
rush,
storm,
tim macauley,
water,
you won't see this at moma
Monday, 17 December 2012
Sirens series
The sirens call goes out, but how often is it heeded, when in the eye of the storm?
Abstractions of specular reflections coming off the Yarra River in Melbourne, taken near the Victorian Arts Center, Melbourne using a long time exposure and various camera movements. All images were shot in camera no layering in Photoshop for these puppies. But does that make the final result any better? Now there is opening a can of worms.
The series takes a liberal dose of Mark Rothko [link], Jackson Pollock [link] and Andreas Gursky's Bangkok series [link].
If you like this also checkout my State Transference series [link]
The series takes a liberal dose of Mark Rothko [link], Jackson Pollock [link] and Andreas Gursky's Bangkok series [link].
If you like this also checkout my State Transference series [link]
Labels:
abstract,
abstraction,
australia,
dark,
eye,
light painting,
light tracing,
long time exposure,
Melbourne,
night,
river,
series,
siren,
sirens,
storm,
surreal,
yarra river
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