Based on the Phillip-Lorca diCorcia Heads [link] series of portraits taken in the streets of New York where overhead flashes were used to light the subject and overpower the available daylight resulting in a spotlight halo effect, focusing on the subject mid-thought and unaware of the camera. I shot the 2010 World Road Cycling Championships held in Geelong, Australia, in the same way, using off camera flash in an area covered in shadow. The same thing has also been done by Katrin Koenning in her Thirteen: Twenty Lacuna [link] series, using sunlight reflected off buildings and direct sunlight in a Melbourne laneway. It's not original but captures these athletes, in a way that I haven't seen them captured before.
As a parting remark by a college principle, I was told that he would look forward to the day that he saw my work hanging in MoMA. As such, I wasn’t quite sure how to take the remark. Was it final and long overdue gatekeeper validation of my clear artistic genius, or a form of mild mocking, better placed in a high school playground of false hope? I'll leave it up for you to decide. If you do actually see any of this stuff at MoMA in the future, my apologies in advance.
Showing posts with label cycling. Show all posts
Showing posts with label cycling. Show all posts
Saturday, 13 April 2013
Monday, 17 December 2012
Le Tour series
Pulling a John Cura [link] /Sugimoto [link] /Friedlander [link] with a healthy does of Thomas Ruff [link] and Ernst Haas [link]. In mid 2012 I stumbled upon the Movies series by Fred Cray [link], who unbeknownst to me, who did pretty much the same thing, longer exposures of moving images.
A different take on the 2010 Tour de France. I like the interplay of objectivity (by me) and subjectivity (of the original camera operator), allowing for a reinterpretation of past events.
Labels:
abstract,
bikes,
blur,
cycling,
fred cray,
le tour,
long time exposure,
series,
surreal,
television,
tim macauley,
tour de france,
tv
Subscribe to:
Posts (Atom)

























