It's rarely that I spend a long time working on a single series (the only exception for me has been the billboards series [link] ), I guess because I'm just reacting to the environment around me at any given time which is more self contained. There is just something about doing something over a short period of time that allows me to move onto the next thing and not get bogged down in getting things just perfect. The Welcome to Manhattan series was put together in the time it took to go from a bridge onto Manhatten to the bus terminal at The Port Authority Bus. Less than one hour. I like how been on a bus allows people to be themselves without the transformation that occurs when a camera is shoved in ones face and the higher viewpoint gives a different perspective than you typically see in street photography.
As a parting remark by a college principle, I was told that he would look forward to the day that he saw my work hanging in MoMA. As such, I wasn’t quite sure how to take the remark. Was it final and long overdue gatekeeper validation of my clear artistic genius, or a form of mild mocking, better placed in a high school playground of false hope? I'll leave it up for you to decide. If you do actually see any of this stuff at MoMA in the future, my apologies in advance.
Showing posts with label new york. Show all posts
Showing posts with label new york. Show all posts
Thursday, 31 January 2013
Tuesday, 11 December 2012
Under the bridge series

The Under the bridge series was taken from the window of a moving city bound trian from the JFK Airport, so the ISO was jacked up and aperture fairely wide, so I could get the shutter speed up to 4000th of a second on a cloudy day.
I've always been interested in photographing people when they are unaware of the camera, following in the footsteps of Walker Evans ( Many are Called [link]) and Philip-Lorca DiCorcia( Heads [link]) before me. If we are to capture a person fully in thier natural state of being without been transformed by the lens then there is really no other option besides getting them to jump ( Philippe Halsman Jump [link]) or some other action, leaf blower anyone ( Tadas Cerniauskas Blow Job [link]) ? Such actions forces the subject to take down their guard just for a second and if the photographer is good enough for it to be captured.
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